24 Wes Anderson Movie Songs: The Ultimate Soundtrack Playlist

The whimsical worlds of Wes Anderson films aren't just visually stunning; they're sonically captivating too. From the perfectly placed needle drops to the intricately woven scores, music is an integral character in every Anderson movie. For fans, discovering the perfect playlist to capture the quirky charm and melancholic beauty of his work is a quest in itself. That's why we've compiled this definitive list of the best songs from Wes Anderson movies – a curated collection designed to transport you back to the vibrant, often bittersweet, landscapes of his cinematic universe. Whether you're a seasoned Anderson aficionado or a curious newcomer, this exploration of the soundtrack to his iconic films promises to uncover some hidden gems and reignite your appreciation for the director's masterful use of music. Prepare to rediscover your favorite tracks and unearth some new obsessions; let's dive into the soundtrack that defines Wes Anderson.

24 Wes Anderson Movie Songs: The Ultimate Soundtrack Playlist
SongArtistAlbumListens
1. Life on Mars? David Bowie Hunky Dory (2015 Remaster) 48M+
2. Ooh La La The Faces 13M+
3. Les Champs-Élysées Joe Dassin 8M+
4. Crying Roy Orbison Crying 8M+
5. Le temps de l'amour Françoise Hardy Françoise Hardy (Tous les garçons et les filles) 8M+
6. Me and Julio Down by the Schoolyard Paul Simon Paul Simon 7M+
7. Playground Love Air 4M+

1. Life on Mars? - Hunky Dory (2015 Remaster)

Sound: David Bowie's "Life on Mars?" features a haunting, melancholic melody perfectly suited to the whimsical yet often melancholic tone found in Wes Anderson films.

Vocals: Bowie's distinctive vocals, with their theatrical flair, add a layer of captivating eccentricity that aligns with Anderson's signature aesthetic.

Emotional Impact: The song's blend of dreamy soundscapes and introspective lyrics creates an atmosphere of poignant wonder, ideal for underscoring scenes of both beauty and quiet contemplation.

Life on Mars? - David Bowie

2. Ooh La La (The Faces)

Ooh La La - The Faces

Sound: The Faces' signature swaggering rock and roll sound perfectly captures the nonchalant yet stylish vibe often present in Wes Anderson films. Its upbeat tempo and driving rhythm create a sense of playful energy.

Vocals: Rod Stewart's effortlessly cool vocals add a layer of sophisticated charm, mirroring the wry humor and distinctive characters that populate Anderson's worlds.

Emotional Impact: Its carefree spirit and infectious energy provide a soundtrack perfectly suited to the moments of quirky joy and understated romance within Anderson's visual narratives.

Ooh La La - The Faces

3. Les Champs-Élysées

Sound: Joe Dassin's smooth, romantic vocals and the jaunty melody of "Les Champs-Élysées" perfectly capture the nostalgic, slightly melancholic yet charming atmosphere often found in Wes Anderson films.

Emotional Impact: The song evokes a sense of bittersweet longing for a bygone era, a feeling that resonates with the wistful tone present in many of Anderson's narratives.

Cultural Relevance: Its iconic status in French popular culture adds a layer of sophisticated, old-world charm that aligns well with Anderson's distinctive visual style and penchant for European settings.

Les Champs-Élysées - Joe Dassin

4. Crying (1962)

Roy Orbison's Vocals: Orbison's signature vibrato and emotionally raw delivery perfectly capture the melancholic yet captivating atmosphere often found in Wes Anderson films.

Emotional Resonance: "Crying" evokes a sense of longing and bittersweet nostalgia, aligning with the bittersweet undertones present in many Wes Anderson narratives.

Sound & Mood: The song's dramatic orchestration and swelling strings create a cinematic soundscape that complements the visual storytelling style of Anderson's films.

Crying - Roy Orbison

5. Le temps de l'amour - Françoise Hardy (Tous les garçons et les filles)

Françoise Hardy's Vocals: Hardy's distinctive, breathy vocals lend a melancholic yet sophisticated air to "Le Temps de l'Amour" perfectly complementing the wistful atmosphere often found in Wes Anderson films.

Emotive Resonance: The song's understated elegance and poignant lyrics evoke a sense of longing and bittersweet romance, aligning with the themes of longing and subtle emotion present in many Wes Anderson narratives.

French Cinema Vibes: The song's distinctly French sound and feel adds a touch of European sophistication and effortless cool, enhancing the visual and emotional tapestry of the films it might soundtrack.

Le temps de l'amour - Françoise Hardy

6. Me and Julio Down by the Schoolyard (Paul Simon - 1972)

Sound: "Me and Julio Down by the Schoolyard" boasts a distinctive, breezy sound perfectly capturing the nostalgic, slightly melancholic vibe often present in Wes Anderson films. The layered instrumentation and upbeat tempo create a charming, bittersweet atmosphere.

Emotional Impact: The song's evocative lyrics about childhood friendship and fleeting summer moments resonate deeply, adding a layer of sentimental depth that complements the whimsical yet poignant storytelling characteristic of Anderson's work.

Pop Culture Relevance: Its inclusion in Anderson's films cemented its place in popular culture, associating it with his signature style and further enhancing its nostalgic appeal for viewers familiar with his oeuvre.

Me and Julio Down by the Schoolyard - Paul Simon

7. Playground Love

Sound: Air's signature blend of chillwave and French electronica creates a dreamy, wistful atmosphere perfectly suited to the melancholic yet charming tone of many Wes Anderson films.

Emotional Impact: The song's bittersweet melody and understated vocals evoke a sense of longing and nostalgia, enhancing the reflective mood often present in Anderson's narratives.

Use in Film: While not explicitly featured in a Wes Anderson film, "Playground Love" embodies the same spirit of quirky romance and understated emotion that makes his movies so unique, making it a perfect addition to any Wes Anderson-inspired playlist.

Playground Love - Air

8. Street Fighting Man

Gritty Urban Vibe: "Street Fighting Man" perfectly captures the raw energy and restless spirit often found in Wes Anderson's films, reflecting a sense of underlying tension beneath polished surfaces.

Iconic Rolling Stones Sound: The song's instantly recognizable riff and Jagger's signature vocals add a layer of classic rock cool that complements Anderson's stylistic choices and enhances the overall mood.

Unexpected Placement Potential: Consider using this track to underscore a scene of societal unrest or simmering conflict within a Wes Anderson-esque narrative; its blend of chaos and cool is uniquely suited to his aesthetic.

Street Fighting Man - The Rolling Stones

9. Strangers (The Kinks - 1970)

Sound: Strangers' melancholic melody and understated instrumentation perfectly capture the wistful, slightly off-kilter tone often found in Wes Anderson films, creating a sense of bittersweet longing.

Vocals: Ray Davies' distinctive vocals, imbued with a hint of both detachment and vulnerability, add a layer of emotional depth that resonates with the quirky characters and complex relationships in Anderson's narratives.

Emotional Impact: The song's understated power lies in its ability to evoke a feeling of quiet observation and gentle sadness—a perfect soundtrack for moments of reflective contemplation within the often whimsical worlds of Wes Anderson’s movies.

Strangers - The Kinks

10. Alone Again Or

Sound: Love's "Alone Again Or" features a melancholic yet strangely upbeat sound, perfectly capturing the bittersweet nostalgia often present in Wes Anderson films.

Vocals: The vocal delivery is both vulnerable and detached, a fitting sonic backdrop to the often quirky yet emotionally resonant characters populating Anderson's worlds.

Emotional Impact: The song's blend of sadness and hope creates a feeling of poignant reflection, a mood that resonates deeply with the themes of longing and memory often found in Anderson's cinematic style.

Alone Again Or - Love
  • Queen Bitch
    11

    Queen Bitch

    David Bowie

    1971

  • Over and Done With
    12

    Over and Done With

    The Proclaimers

    1987

  • Heroes and Villains
    13

    Heroes and Villains

    The Beach Boys

    1967

  • Search and Destroy
    14

    Search and Destroy

    The Stooges

    1973

  • Powerman
    15

    Powerman

    The Kinks

    1970

  • Aline
    16

    Aline

    Jarvis Cocker

    2021

  • Let Her Dance
    17

    Let Her Dance

    Bobby Fuller Four

    1965

  • 2000 Man
    18

    2000 Man

    The Rolling Stones

    1967

  • These Days
    19

    These Days

    Nico

    1967

    Chelsea Girl

  • Concrete and Clay
    20

    Concrete and Clay

    Unit 4 + 2

    1965

  • Rue St. Vincent
    21

    Rue St. Vincent

    Yves Montand

    1956

  • I Am Waiting
    22

    I Am Waiting

    The Rolling Stones

    1966

  • Stephanie Says
    23

    Stephanie Says

    The Velvet Underground

    1968

  • Zorro Is Back
    24

    Zorro Is Back

    Oliver Onions

    1975